2012;
366 pages. New Author? : Yes. Genre : Mythopoeia, Dimension-Hopping, Fantasy
Alt History. Overall Rating : 4*/10.
Well, it’s been a bit of a jolt for Alysa and
Ewan; they’ve fallen through a hole from the 21st century to some
sort of 7th-century Alternate Universe, where gods and legends both
big and small, seem to be running the show.
The
good news is, they’re mostly Greek and Norse deities, and if you know your
mythology, you’ll realize that humans were on pretty good footing with those
kinds of immortals. Still, one has to
wonder why Fate has brought Alysa and Ewan here, and whether they’ll ever get
back home again.
And then there’s the aliens from outer space.
What’s To Like...
The Beginning of
This, The End of That is an ambitious debut effort by James
Matteson. Per his Amazon blurb, his
primary focus is on the role of “story” (read: myths and legends) in society, and you
will find all kinds of tales mashed together here. There were the Norse and Greek myths and gods, of
course; but you can also see traces of Alice
Through The Looking Glass, The Last of the
Mohicans, and perhaps a trace of the Old Testament. One of the Gnostic greats, Marcion, shows up;
and even Mithra gets some ink. Those are
plusses for me.
The
writing style is straightforward, and if you like chants and poems in your
stories, you’ll be tickled pink here.
The underlying storyline concept is original, and I liked that Alysa and
Ewan had very different outlooks on life and very different natures. The world-building is ambitious, with the
reader being treated to locales such as Frigga’s grove, the White City, and Tartarus (the
Underworld). I wouldn’t say the Matteson's universe drew me into it, but it was adequate for the tale.
Alas,
it’s all downhill from here; both the writing mechanics and the storytelling
are weak, and I can see why other readers failed to make it through the book.
Mechanics.
There were a lot of typos, and that became a distraction. The author claims to have written over 100
technical documents, yet doesn’t know the difference between “lightning” and
“lightening”? C’mon now. I’ll look past affect/effect errors, and even
hanger/hangar, but when the name of one of the characters goes from Beor to
Boer, and it isn’t caught, that’s just poor editing.
Then there’s the “big word syndrome”: piceous, atramentous, apetalous,
hathoritic, pantokratic, and a slew of others.
They felt clunky and ill-fitting, as did the apparent need to give the
Latin technical name for every piece of flora and fauna. Happily, the BWS tapered off once the story
got rolling.
Storytelling. It frequently loses its focus, and that makes
for a number of slow spots. A kidnapping
by pirates becomes a treatise on business ethics. Five professors give us a discourse on
truth. And if I want to hear a Sunday
sermon, I’ll go to church.
Kewlest New Word…
Oppugn (v.)
: to call into question the truth or validity of something.
Others : too
many to list.
Excerpts...
“If you are not
tinkeards,” asked their host, “why then have you come to the White City?”
“We are here
looking for a poet,” Ewan offered.
Gunhild looked at him, disgusted.
“Well, that
should be easy,” said Goggigwr, “there are very few poets left in the city.”
“Why is that?”
Alysa questioned.
“They have no
employers,” he responded. “If they don’t
become musicians, college professors, or take religious orders, they can find
no paying work.” (loc. 3196)
“So, since we
parted at the Temple of the Golden Toad, what has happened to you?”
“Nothing too
exotic,” Ewan said, looking down the path after Frigga. “We were lost at sea, rescued by pirates,
washed ashore on the island of Aig, traveled to Spyral Castle, escaped from
Hades over the Bifrost bridge.” (loc.
6421)
Kindle Details...
The Beginning of This, The End of That, Part 1: The End
presently sells for $9.99 at Amazon, which seems quite steep to me. The implied sequel has apparently not been
written yet, and Amazon carries no other books by James Matteson.
“What is the point of magic
if it is not the force the gods themselves to do your will?” (loc. 5082)
I
tried to reconcile the author’s stated purpose for this book – examining the
role of story in society – with the storyline, and I finally decided that the choice of genre
doomed it from the start. At first
glance, fantasy would seem to be an excellent format for showcasing myths. But the problem is the readers of fantasy want
an entertaining tale, not a literary exegesis.
And the latter is what you get, particularly if you take the time to read
the “commentator notes”.
This is all a shame, because the basic premise of The Beginning of This, The End of That is nothing
short of fantastic. But the execution of
that premise disappoints. I don’t know
what the author’s approach was in writing this book, but I get the feeling that
some beta readers and a decent editor would’ve significantly improved things.
One
last thing. Although the story ends at a
logical place, it is obvious, even from the title (“Part 1”), that a sequel was
planned. It’s been almost four years
since TBoT,TEoT-Part1:TE was published; it
seems safe to assume a sequel will not be forthcoming. Which means there really isn’t much point in
reading Book One.
4 Stars.
Add 1 Star if
a sequel should ever be published; add another 1 Star
if this book undergoes some major rewriting.
The storyline is so fascinatingly engaging that if it ever got more
emphasis than the technical considerations, this could be the start of a fine series.
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