2000; 482 pages. New Author? : No. Genres : Historical Fiction; English History; Ancient
Historical Fiction; Action-Intrigue. Overall Rating: 9*/10.
Stonehenge.
There’s a mystique about it even now when it lies in ruins.
Thanks to archaeology, we know
a fair amount about the “when” of
Stonehenge. It went through several
iterations over the centuries and first arose around the Third Millennium
BCE. Thanks to geology we have a good
idea about the “how” of Stonehenge, most
importantly where the stones of Stonehenge originated.
We know a lot less about the “what” of Stonehenge. What was it used for and what did those stone
arrangements signify? The “why” of Stonehenge is almost a complete
mystery to us. We know that some of the
stones are carefully aligned to greet the Summer and Winter Solstice, but why
was that done?
Bernard Cornwell’s book Stonehenge presents one scenario where the “how” and “when”
are adhered to and a plausible “what”
and “why” are presented. Yes, it’s fictional, but it conforms to
what we know about Stonehenge, and generates a literary aura all its own.
What’s To Like...
Stonehenge traces the lives of three brothers – Saban, Lengar, and Camaban – who are cast as the main protagonists. In nature, they correspond closely to the titular roles in the Clint Eastwood oater The
Good, The Bad, and The Ugly. Most
of the time we follow the “Good” guy, Saban, but there are occasional
digressions into the lives of his two brothers, as well as several other secondary
characters.
There are two main
storylines. One of course it the
building of Stonehenge from its very beginning.
The other is the internecine struggle between the three brothers to see which one will succeed
their father, the ruler of a local nondescript tribe called Ratharryn.
The tale takes place sometime during
the span of 2000-3000 BCE England, during western civilization’s Bronze Age. There were no kingdoms back then, just local
villages raiding and trading with neighboring settlements. Sorceresses and priests aided the village
elders and family ties were flimsy at best when it came to being the group’s leader.
I enjoyed watching as the
Stonehenge temple gradually grew into the structure whose ruins we see
today. That might sound tedious, but
Bernard Cornwell is a fantastic writer and storyteller, and the three brothers
spark enough fighting and intrigue to keep the reader from getting bored. I also liked the way various characters
discerned the signs the various gods sent to their worshippers here on
earth. Divine communication methods have not changed much over the last 4000 years.
The ending is logical and satisfying. Stonehenge gets built, the fraternal
squabbling comes to an end, and several characters relocate and/or shuffle off
their mortal coil. Stonehenge is
not part of any of Cornwell’s series, nor AFAIK is there any sequel.
Ratings…
Amazon: 4.1*/5, based on 2,613 ratings
and 479 reviews.
Goodreads: 3.67*/5,
based on 11,702
ratings and 735 reviews.
Kewlest New Word…
Plangent
(adj.) : (of
a sound) loud, reverberating, and often melancholy.
Excerpts...
The gods talk by signs. It may be a leaf falling in summer, the cry
of a dying beast or the ripple of wind on calm water. It might be smoke lying close to the ground,
a rift in the clouds or the flight of a bird.
But on that day the gods sent a storm. It was a great storm, a storm that would be
remembered, though folk did not name the year by that storm. Instead they called it the Year the Stranger
Came.
For a stranger came to Ratharryn on that
day of the storm. It was a summer’s day,
the same day that Saban was almost murdered by his half-brother.
The gods were not talking that day. They were screaming. (pg. 3)
Ever since he had left Sul he had been
wondering why he was making this journey and he had found no good answers
except for the dictates of instinct and duty.
He had a debt, and life was full of debts that must be honored if fate
was to be kind. Everyone knew that. A fisherman was given a good catch so he must
offer something back to the gods. A
harvest was plump so part must be sacrificed.
A favor engendered another favor and a curse was as dangerous to the
person who pronounced it as to the person it was aimed against. Every good thing and bad thing in the world
was balanced, which was why folk were so attentive to omens—though some men,
like Lengar, ignored the imbalance. (pg.
252)
“It isn’t wise to
pick a fight with wolves.” (pg.
248)
I thoroughly enjoyed Stonehenge, so finding
things to nitpick about was a challenge.
Foul language is close to
nonexistent; I counted only four cusswords in the entire book. At one point, where swearing was called for,
Bernard Cornwell resorted to “improvised cussing”, coming up with the delightful
slam “toad-dung made flesh.” I loved that.
I only saw one typo in the Harper
Torch Publishing paperback version: though/through. Kudos to their editors and beta readers. There are a slew of gods and mortals to keep
track of, so a Cast of Characters would’ve been nice. Ditto for a map to show where the various
settlements and spheres of influence were located.
But I quibble. For me, Stonehenge was a perfect blend
of historical fiction with action-adventure.
The character-building was excellent, the world-building was convincing,
and the Bernard Cornwell’s writing was, as usual, impressive. Here’s hoping that he someday decides to write a
sequel, chronicling Stonehenge’s impact on the next generation of early Britons who lived in its shadow.
9 Stars. Tacked onto the end of the tale is a 13-page “Historical Note” section, wherein Bernard Cornwell discusses what is known about Stonehenge, including a brief reference to its sister structure, Woodhenge. The discussion was enlightening to me. I have a non-fiction book on my Kindle, titled Stonehenge - A New Understanding, by Mike Parker Pearson. Perhaps it’s time to read that tome.
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