1960;
255 pages. Book 1 (out of 5) in the “Rabbit” series.
New Author? : Yes. Genres : Highbrow
Lit; Americana. Overall Rating : 5½*/10.
He’s only 26 years old, and already Harry
“Rabbit” Angstrom feels like his life is in a rut.
It wasn’t always this way; just a few short years ago he was the star of
his high school basketball team, setting a local scoring record not once, but twice.
But those days are gone, and now he finds himself both a husband and a
father. Lately his wife Janice bores him. He loves his
2½-year old son, but taking care of a toddler is a lot of stress. And now Janice is pregnant again, so he’s about
relive the joys of raising a newborn.
His job bores him even more. His
career consists of making the rounds to demonstrate a device called a “MagiPeel
Peeler”, with which you too can experience the bliss that comes from paring vegetables
and fruit. Yawn.
Harry
can feel it, there’s a better life out there somewhere, waiting for him. He just has to go find it. But how can he do that, what with a wife,
soon-to-be two kids, and a dead-end job tying him down?
Run! Rabbit, run!
What’s To Like...
Rabbit, Run
was published in 1960, is arguably John Updike’s most famous novel, and was
such an immediate hit that he developed it into a 5-book series. This book’s been on my TBR shelf for quite a
while; I decided to read it after learning that its fictional setting – the
city of Brewer – is patterned after Reading, Pennsylvania, birthplace to both
the author and myself.
It
was fun to experience life in 1959 America again. Diners had jukeboxes that cost you a dime per
song; smoking in a hospital waiting room was normal; you could fill your car’s
gas tank at the local Esso or Amoco station for $3.90; and enjoy the night’s
cool breeze by hand-cranking down the car window. “Gay” in those days meant “merry”, and you
could buy a brand new paperback novel for 35 cents. Indeed, the price printed on the paperback
that I read, a 1962 issue, was “60¢”.
Brewer/Reading is in the heart of Pennsylvania Dutch country, and that
means both shoo fly pie and fosnachts get mentioned. On Rabbit’s first “run”, he takes the very
real “Route 222” to get away, and
considers going to nearby places such as Pottstown, West Chester, Bird in Hand,
Paradise, Mascot, and (my personal favorite) Intercourse, all of which do exist
in southeastern Pennsylvania.
Harry
of course is the central character, but several secondary ones get a lot of
personal attention as well, including his wife, son, high school basketball
coach, fallback lover, and an Episcopalian minister. The book’s theme reminds me of another
highbrow novel I read a couple years ago, Sinclair Lewis’s Babbitt (set in the 1920’s and reviewed here). In both books, the protagonist becomes jaded
with living the great American lifestyle, and seeks alternatives.
If
you like anti-heroes, Harry’s your guy.
He thinks he’s irresistible to women (and in fairness, sometimes it seems like he is),
he flees from his wife and son on the spur of the moment, everything is always somebody
else’s fault, and at one point he flirts with the minister’s wife by slapping
her on her fanny. He’s not very
likeable, yet there is a certain charismatic optimism about him.
The
ending is good, but not great. Harry
hasn’t improved one bit and about all you can say is that he’s now resolved to
start thinking about resolving the issues in his life. I’m guessing that sets up the next book in
the series, at least I hope so.
Excerpts...
The door is
locked. In fitting the little key into
the lock his hand trembles, pulsing with unusual exertion, and the metal
scratches. But when he opens the door he
sees his wife sitting in an armchair with an Old-fashioned, watching television
turned down low.
“You’re here,” he says. “What’s the door locked for?”
She looks to one
side of him with vague dark eyes reddened by the friction of watching. “It just locked itself.” (pg. 10)
“The boy’s taken
his truck,” he tells Mrs. Springer.
“Well let him get
it himself,” she says. “He must
learn. I can’t be getting up on these
legs and running outside every minute; they have been at it like that all
afternoon.”
“Billy.”
The boy looks up in surprise toward Eccles’ male voice. “Give it back.” Billy considers this new evidence and
hesitates indeterminately. “Now, please.” Convinced, Billy walks over and pedantically
drops the toy on his sobbing playmate’s head. (pg. 128)
Ratings…
Amazon: 4*/5, based on 413 ratings.
Goodreads: 3.58*/5, based on 52,620 ratings and 3,256
reviews.
“It’s a strange thing about you mystics, how often your little
ecstasies wear a skirt.” (pg.
108 )
I found
an unexpected number of nits to pick with Rabbit,
Run.
For starters, John Updike’s writing style is both unusual and
difficult. The sentences are often long,
descriptive passages abound, chapters are nonexistent, even paragraph breaks are
rare, and there are only three dividing spots, coming at pages 7, 114, and 221.
The present tense is deliberately
overused for the sake of presenting Harry’s stream-of-consciousness thoughts. Despite all this, John Updike’s skill at
writing makes the reading bearable; lesser writers are not encouraged to emulate him.
None
of the plot threads get tied up. Who
will Harry go back to: Janice, Lucy, or Ruth?
Or maybe all the above? How well will Jack Eccles’ Christian faith hold up through all of this? Will Marty Tothero recover from his
stroke? Or next time will Rabbit run farther and
longer than he’s ever run before?
Again,
I’m assuming these things will be dealt with in the subsequent books in the series. But the fact that there are four more books
makes me fear that nothing is going to get resolved very quickly.
5½ Stars. So why was Rabbit, Run such a mega-hit when it came out in 1960? I suspect it was due to the fact that it has a bunch of cussing and fairly-explicit sexual situations in it, which was rare for a highbrow novel written towards the end of the Eisenhower era. Back then there was no such thing as an R-rated movie and the Rolling Stones were forced to change the lyrics of their hit to “Let’s Spend Some Time Together” when they appeared on the Ed Sullivan Show. But by the end of the decade the musical Hair would have full frontal nudity and California's Haight-Ashbury area would be celebrating its “Summer of Love”. The times they were a-changin’.
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