2017
(1974, actually); 333 pages. New Author?
: Of course not. Genre : Coming-of-Age;
Action; Western Adventure; Archaeology. Overall
Rating : 7½*/10.
William Johnson has it made. He’s 18 years old, from a well-to-do family,
and a freshman at prestigious Yale University.
Like most freshmen, he is shy around girls, and prone to doing stupid
things in his spare time, such as making idle bets with other, equally well-off
students.
Othniel
Charles Marsh is a professor at Yale and a leading expert in the new field of
paleontology. Dinosaurs, or to be more
exact, dinosaur bones, are a recent
discovery and are all the rage in archaeology right now. Marsh’s hobby during summer break is to fund
a trek by a select group of Yale students out into the wild and untamed west in
search of dinosaur bones.
Johnson has no interest in joining in on such
an adventure. His goal for summer break
is to lay around the mansion. But a
thousand-dollar bet with a rival classmate over whether he’s too chicken to go
along on Marsh’s expedition changes things.
That’s a lot of money, even for a spoiled rich kid.
Which
is why, William Johnson, writing in his journal, remarks that, “I realized
that, through no fault of my own, I would now spend the entire summer in some
ghastly hot desert in the company of a known lunatic, digging up old bones.”
What’s To Like...
Dragon Teeth was
published in 2017, nine years after Michael Crichton died. This may seem preposterous, but he actually
wrote it in 1974, and it languished as an early effort that he chose not to
have published. Sixteen years after penning this tale,
Jurassic Park was published, and I'm pretty sure Crichton forgot all about
this manuscript.
Genre-wise, this
is first and foremost a coming-of-age tale.
Johnson starts out as a spoiled brat, and comes back a mature man. Wikipedia calls it a “forerunner to Jurassic Park”, but if you read it in hopes that velociraptors will go stomping around, chomping on
puny humans, you are going to be sore disappointed. Instead, it is a tale of an adventure out West, with some paleontology thrown in as an added bonus.
This
may be a rookie effort, but Michael Crichton’s writing skills are already
evident. You get a nice “feel” for
frontier life in the 1870’s, and his descriptions are blended smoothly with his
research about the wild West, digging for dinosaur fossils, and boom towns
springing up anywhere that gold was found.
The Sioux are still on the warpath, and Custer is about to be made
aware of that fact.
The
chapters are short, of James Patterson-ish length. They are neither numbered nor listed in the
front, but each one has a descriptive title to clue you in as to what’s about
to occur. There’s a map at the front of
the book, which helped me keep track of where the fossil-hunters were traipsing around, although its resolution is poor. There
are a couple cusswords, but that’s about it for R-rated stuff. Both Johnson and I enjoyed meeting Emily
Williams, or whatever her name really was.
I really
liked the photography sections of the story.
There was no such thing as film, a store nearby that would develop your pictures,
or digital cameras. My father had his
own darkroom, and I used to assist him in developing film into slides. My grandfather had some ancient photographs, on old
sepia-colored glass plates, which are referenced here.
This brought back some great memories for me.
Michael Crichton weaves his insights about some subtle topics into the storyline, most
notably some thoughts about Science-vs-Religion (pgs 132-35), and blind faith (pgs 174-5). And if you're a dyed-in-the-wool anarchist, Deadwood Gulch is your kind of town. Imagine living in a place where there are no
rules, laws, and/or enforcement agencies. Surely, this is Anarchist Paradise.
The ending is satisfying, albeit not overly exciting. Appended to the story are a couple
neat extra sections: a Postscript, in
which Crichton tells you what happened to some of the real-life figures
encounters in the story; an Author’s Note, where he separates fact from
fiction, and a touching Afterword from his widowed wife, giving some background
about Michael and this book, and leaving a lump in my throat.
Kewlest New Word ...
Nymphs du pave (n.;
phrase) : a streetwalker; a prostitute who solicits in the street. (French for “nymph of the pavement”)
Excerpts...
“You are saying
this Neander skull is human?” Morton said.
“I don’t know,”
Cope said. “But I do not see how one can
believe that dinosaurs evolved, and reptiles evolved, and mammals such as the
horse evolved, but that man sprang fully developed without antecedents.”
“Aren’t you a
Quaker, Professor Cope?” (…)
“I may not be,”
Cope said. Religion explains what man
cannot explain. But when I see something
before my eyes, and my religion hastens to assure me that I am mistaken, that I
do not see at all … No, I may no longer be a Quaker, after all.” (pg. 169)
“And me?”
“You’re
different,” she said. “You’re brave, but
you are also refined. I bet you kiss
real refined, too.”
She was waiting.
“I learned,”
Johnson wrote in his journal, “one immediate lesson, which was the unwisdom of
kissing aboard a bucking stagecoach. My
lip was deeply bitten and the blood flowed freely, which inhibited, but did not
stop, further explorations of this nature.” (pg. 303)
I still regard three months in the West in much the same way I
would three months forced attendance at the German Opera. (pg. 20 )
The
quibbles are minor. The thrills and
spills don’t really start until about halfway through the book, so after a
hundred pages or so, I was beginning to wonder if all we were going to do was
ride around the countryside and dig up fossils.
Yet Michael Crichton can make even that interesting, whic is no small feat.
The
pacing is moderate, which is okay for a coming-of-age story. And a glaring
deus ex machina popped up when our
protagonist, having lost all his photographic equipment and having no useful
skills with which to earn some money in Deadwood Gulch, has the good fortune to
learn that a previous resident, also a photographer, had perished in the wilds,
but miraculously left all of his equipment behind in the town. The townspeople, who rob
and steal and loan-shark without a second thought, have conveniently left all those photographic
plates and chemicals untouched, and now give them to Johnson for fre.
But
I pick at nits. Dragon Teeth was an
extremely quick and easy read, with a catchy plotline and a well-researched
setting. It may not be Crichton at his
best (that
wouldn’t happen for another 16 years), but it was still a delightful
read.
7½ Stars. I rarely read Westerns, but if it's written by Michael Crichton, I'll make an exception.
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