2018; 400 pages. New Author? : No. Genres: Dystopian Fantasy, Alternate History. Overall Rating : 7½*/10.
It’s late autumn in Wales, and we all know
what that means, right?
Yep, it’s time to eat two or
three times as much as we normally do, and hopefully gain twenty, thirty and if
we’re lucky, maybe even forty pounds in a hurry.
Because Winter is fast approaching,
and come Slumberdown, the day we start our hibernation, we want to be as heavy as possible. Just like the bears, we'll go to sleep, not wake up until Springrise, and all
that extra poundage will keep us nourished in between.
“Slim and trim” is a fatal condition for hibernators.
That’s the routine for most of
the population. But a few people have to
stay awake, both to protect those hibernating and to fix anything that might
break down. Wintertime in Wales, and many
other places, is exceptionally harsh.
Charlie Worthing has just
volunteered for the Winter Consul Services, those guardians of the deep
sleep. He has a lot to learn, not much
time to do it, and above all, get rid of his dreams.
Because dreaming can be a
terminal condition.
What’s To Like...
Every Jasper Fforde novel I’ve read has fantastic
worldbuilding, and Early Riser is no
exception. Presenting a plausible
scenario of modern-day civilization dealing with fantasy creatures during a
rip-snorting Ice Age is no easy task, but Fforde handles it deftly. The entire story is set in Wales, mostly in a place called the Gower Peninsula, which is both real and scenic. It is told in the first-person POV, that of
the protagonist, Charlie.
There’s a handy schematic of a dormitorium (a what?) which reminded me of the underground
structures in Hugh Howey’s Silo series,
except here they are aboveground. The
text overflows with wit, a Fforde staple, and there are lots of neat weapons (most of which go “Whump”), and critters (most of which go “Chomp”) to meet and give a
proper amount of respect to.
The tale is written in
English, Jasper Fforde’s mother tongue, so American readers may have to suss
out the meaning of some weird phrases such as “pumping out the zeds”,
“come a cropper”, and “car park”. But that’s a fun task. Acronym-lovers will also be kept entertained, and any when’s the last time you read a tale where being fat
is admirable and being thin is reprehensible?
Charlie and the reader both have lots of stuff to figure out,
including:
a.)
What is Project Lazarus?
b.)
Who is Kiki, and why does he/she need the cylinder?
c.)
Is there a better alternative to the dream-quelling drug called “Morphenox”?
d.)
What’s so special about dreams involving blue Buicks, oak trees, severed hands,
and being buried alive?
There are some neat music
references along the way: Tom Jones
(well, he’s Welsh, so this is no surprise), Bonzo
Dog Band, Mott The Hoople, The Dark Side of the Moon, Ziggy Stardust,
Mott The Hoople (again!), Fleetwood Mac's "Rumours" album, Val Doonican (who?),
and Richard Stilgoe (who? Wiki him).
The text is very clean – only 9 cusswords in the first hundred-pages,
and limited to scatological and afterworld references, plus the pseudo cuss-phrase “Gronk’s dung in a piss-pot” which made me chuckle.
Like Charlies, you may find yourself
wandering around in a fog while reading the first 300 pages of Early Riser, but if you
persevere, you’ll be rewarded with a spectacular 100-page ending, full of lots of excitement and full explanations for what’s going on and why. Early Riser is a rare standalone novel
by Jasper Fforde, and is not set in the worlds of any of his previous series.
Kewlest New Word ...
Come a cropper (n., phrase) : to fall
heavily (a Britishism).
Others: Snaffle (v., also a Britishism).
Ratings…
Amazon:
4.4/5
based on 928 ratings and 262 reviews.
Goodreads: 3.87/5 based on 13,404
ratings and 2,204 reviews
Excerpts...
“The enemy aren’t the Villains, womads,
scavengers, insomniacs, Ice-Hermits, Megafauna, nightwalkers, hiburnal rodents
or flesh-eating cold slime — it’s the Winter.
To survive, you need to respect her first. What do you need to do?”
“Respect the Winter.” I paused.
“Sir?”
“Yes?”
“What’s flesh-eating cold slime?”
“It’s probably best not to think about
that.” (pg. 28)
“Did you do any dreaming on your four-week
sojourn to the dark side?”
“No, ma’am.”
“Good,” she said. “The one thing I loathe more than winsomniacs
is dreamers. Feet on the ground, head
out of the clouds. Agree?”
“Yes, ma’am.”
“I don’t like subordinates always
agreeing,” she said. “Sycophants have no
place in my department. You’re to speak
your mind when the opportunity calls for it.”
“How will I know when that is?”
“I shall inform you.” (pg. 216)
“I hope the Gronk
lays eggs in your brain, Mrs. Nesbit!” (pg.
107)
There are some nits to pick,
but no show-stoppers.
The first 3/4 of the book is not only confusing, it is also slow. Charlie wanders around, trying unsuccessfully
to make sense of what's real and what’s a dream, and what's happening to the
various “non-productives” of the not-asleep society, namely the nightwalkers, winsomniacs, and Villains.
There’s also the matter of determining whether Gronks are real; a bet is
riding on that.
The “advertisements” at the
end of the book, another Jasper Fforde staple, were great, and the footnotes
were okay (although not on a par with Discworld footnotes in
wittiness), but the abstracts at the start of every chapter didn’t
do anything for me. There were lots of chapters, but no
list of them with their page numbers at the beginning of the book, so back-referencing was a pain. But I read the hardcover edition, and this may not be true of the e-book
version.
Lastly, and leastly, the
Wikipedia article on Jasper Fforde is in desperate need of updating.
That's enough of the quibbling. In the
“Acknowledgements” section at the end of the book, Jasper Fforde mentions his “creative hiatus of 2014-2016”. Early Riser
was his first published book after that three-year gap, and maybe we should cut him a little slack. To be clear, this isn’t a
case of Early Riser being a poor book, it’s a case of his earlier books,
particularly his Thursday Next series, being
JUST. SO. GOOD.
7½ Stars. One last thing to note, courtesy of
Wikipedia:
“The novel is notable because Fforde never uses a gender
descriptive pronoun for the protagonist Charlie Worthing, referring to Charlie
variously as they/them, I/me, and as simply 'Charlie'.”
Incredible. Only an exceptionally-skilled author could pull this off, and I am in awe that Jasper Fforde could do this.
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