Showing posts with label myths & legends. Show all posts
Showing posts with label myths & legends. Show all posts

Thursday, July 7, 2022

Red Branch - Morgan Llywelyn

   1989; 491 pages.  New Author? : No, but it’s been 9 years since I last read one of her novels.  Genre : Ancient Historical Fiction; Fantasy; Irish Legends.  Overall Rating : 8½*/10.

 

    Over the course of his life, he was known by several names.  As a boy growing up, he was called Setanta.  When he learning the skills of a warrior in the “Boy’s Troop” though, they started calling him Cuchulain.  When he became champion of the kingdom, even his foes called him the Hound of Ulster.

 

    His eyes were silver-colored, far different from the eyes of his father, Sualtim.  There were whispers that he was actually sired by someone else, perhaps even a god.  The only one who knows for sure is his mother, Dectara, and she refuses to talk about it.

 

    The druids have lots to say about him, though.  They have prophesied that he will quickly amass a legendary amount of fame and glory, both in battles on behalf of the kingdom of Ulster and in personal duels.  But it will come at a terrible cost – he is fated to die young.

 

    It says something about Cuchulain that he doesn’t see any downside to that prophecy.

 

What’s To Like...

    Morgan Llywelyn drew upon several ancient Irish legends to write Red Branch, in particular The Ulster Cycle and The Cattle Raid on Cooley.  You can read about both of these in Wikipedia; I was impressed by how closely this book stays true to those tales.  The title refers to the king of Ulster’s “personal band of warriors”, and they play a prominent part in the storyline.  But really this is the story of Cuchulain.

 

    The book is divided into two sections, which I’m pretty sure corresponds to the two legends.  Part 1 (pgs. 1-272), details Cuchulain’s early life, rise to fame and the shattering of the Red Branch.  Part 2 (pgs. 273-491) focuses on the rival kingdom of Connaught’s attempt to subjugate Ulster, using the pretext of stealing a prize bull currently residing in Ulster territory.

 

    I liked the balance of “natural vs. supernatural” in the story.  There’s a talking “battle raven” (aka “the Morrigan”) who at times both helps and hinders Cuchulain.  Curses can be cast that last for lifetimes, and magical weapons can be forged, such as the “Gae Bulga”, a spear that our hero acquires that will always hit its intended target.  The mythic “Tuatha de Danann” get blamed for various things here, although they don't actually show up in the storyline; and Cuchulain learns how to do the “Incredible Hulk” routine, which is aptly dubbed “The Rage”.  Still, this is the Age of Humans, the gods can influence but they will never again be numerous enough to outright rule mankind.

 

    There's a lot of neat interplay of mindsets between some of the male and female characters.  Ailell may be king of Connaught, but Maeve is the brains behind its strategic aims.  Cuchulain may be the hero of the book, but his wife usually has the keener insight about current events.  Deirdre may be Naisi’s significant other, but if he had listened to her regarding where to put down roots, he would’ve lived a lot longer.

 

    The ending is bittersweet with a neat little twist to the key prophecy.  It felt somewhat “telegraphed” to me, but I suspect it is constrained by having to conform to the original legend.  The last five pages are an Afterword, where Morgan Llywelyn discusses the “facts versus fiction” aspects of the story; I always like when authors do that.  Red Branch is a standalone story, and although not part of a formal series, it's one of several books by Morgan Llywelyn where she fictionalizes ancient Irish myths and lore.

 

Ratings…
    Amazon:  4.4/5 based on 76 ratings and 38 reviews.

    Goodreads: 4.21/5 based on 1,804 ratings and 75 reviews.


Kewlest New Word ...

Beeves (n., plural) : cows, bulls, or oxen fattened for their meat. (Singular = “beef”)

 

Excerpts...

    “Let me tell you something, my Hound from Ulster.  I am wise in ways beyond your princely education.  From my own experience during a long lifetime.  I have learned that the world you see with your eyes is only the thinnest of skins.  Beyond it lies the Otherworld.  This is a place of fixed forms., that one is a kingdom of fluid fire.  Creatures dwell there who are more aware of us than we are of them, for their vision is different.”  (pg. 152)

 

    “Now who will challenge Cuchulain and kill him for me?” she inquired.

    A man called Fraech mac Fidaig winked at Finavir and stepped forward.  “The champion of Ulster is as good as dead!” he promised.

    Leaving the group behind, he went out alone with all the weapons he could carry and began shouting at the distant hills.  “I challenge the champion to single combat!”

    Maeve collected nine additional warriors and told them to go after him in case he should need assistance; she wanted to be certain Cuchulain was slain.

    Ailell was appalled.  “That’s not the way it’s done, woman!  You dishonor us.  You don’t understand warfare.”

    Her face was set in hard lines.  “I understand winning.”  (loc. 350)

 

Coincidence is the tool the gods use to keep their workings anonymous.  (pg. 336)

    The quibbles are minor.  There is a “Phonetic Glossary” at the beginning, which tells the reader how to pronounce the names of the major characters correctly, but there’s a slew of people (plus a couple of gods) to keep track of, and it would’ve been nice to have a comprehensive Cast of Characters to supplement this.

 

    I don’t recall any cusswords in the text, but there were several fairly explicit rolls-in-the-hay, as well as references to parts of the male genitalia and things that can be done with them.

 

    Finally, and sadly, the dog dies.  Then the pig dies.  Then another dog dies, this time at the hands of our hero.  Then the horse dies.  Lassie and Timmy would be crying.

 

    But I pick at nits.  For me, Red Branch was yet another enlightening and enjoyable story by Morgan Llywelyn; this is my fourth book by her, and I’ve yet to be disappointed in anything she’s written.  Now I need to hit the used-book stores and see if I can find another one of her highly-regarded novels, Grania.

 

    8½ Stars.  One last thing.  The game of chess crops up several times in the story, and Cuchulain is said to be quite good at it.  I’m a lifelong chess player, so this resonated with me, but I have to wonder how accurate it is to have it being played in, say, the first century AD in isolated Ireland.  Chess is generally believed to have originated in Asia, and not reaching western Europe until the 9th century AD or so.  Just saying.

Thursday, October 19, 2017

Gilgamesh The King - Robert Silverberg


   1984; 404 pages.  New Author? : No.  Genre : Historical Fiction; Myths & Legends.  Overall Rating : 6*/10.

    I know what you’re thinking: just who the heck was Gilgamesh?

    Well, he's a legendary hero of an ancient (Akkadian) epic called The Epic of Gilgamesh, written on clay tablets and in cuneiform somewhere around 2100 BC.  That in turn was based on an earlier (Sumerian) account about presumably the same guy, although in that version he was called Bilgamesh.

    The Akkadian version is quite complete; the Sumerian version is fragmentary.  You can read about all this by looking up ‘Gilgamesh’ in Wikipedia.  

   Although the Gilgamesh in the ancient story is legendary in nature, there is evidence that there really was also a historical Gilgamesh, a king of Uruk, and that the clay tablet tales are just legends that cropped up about him as time went on.  The case can be made, therefore, that The Epic of Gilgamesh is in fact the earliest work of fiction that has ever been found.

    But using cuneiform to write a book on clay tablets is a PITA, and there is a practical limit to just how long such a tale of fiction can be.

    It almost screams for an enterprising modern-day writer to come along and flesh out Gilgamesh’s story.

What’s To Like...
    Make no mistake about it, Robert Silverberg is a revered and renowned Sci-Fi writer, but Gilgamesh The King has zero science fiction and zero fantasy.  It is 100% Historical Fiction, and Silverberg does a wonderful job of making you feel at home in the Mesopotamia of 4,000 years ago.  The details of the settings flow smoothly, without any hint of being an info-dump.  Some of them did seem like anachronisms to me – antimony, planets, steel, the phalanx, and beakers – but I’ll trust in the author’s research that such things really were around way back then, albeit probably viewed and spoken of in different terms than we do nowadays.  I do have some serious doubts about a vampire working its way into the story though, which does occur here.

    There’s a lot of holy sex going on, as well as a lot of not-so-holy sex; and a lot of nakedness to boot.  The chapters are short (41 of them to cover 404 pages), and the Introduction and Afterword, although similar are well worth your time to read.  The story is told in the first-person (Gilgamesh’s) POV.  I seem to be reading a lot of those lately.

    I’ve never read the historical version of this story, but in reading the Wikipedia entry for it, it is obvious that Robert Silverberg’s rendering of it sticks closely to the Akkadian version.  Still, I also enjoyed the ways in which the modern story goes its own way.  While Gilgamesh sees gods, goddesses and demons in just about everything, Silverberg carefully presents how natural events could just as easily explain everything.   I especially liked the alternate version of the Flood narrative, and of Ziusudra’s supposedly “eternal life”.

    The main themes that Gilgamesh seeks enlightenment about are : a.) what happens after you die?, b.) can you avoid death if you’re partly divine?, c.) the roles that gods seemingly play in the daily affairs of the world, and d.) are gods and demons real or not?  Those questions are still asked today.  Gilgamesh receives answers to some of these, but not all.

    The ending is good, and the epilogue is even better.  Gilgamesh The King is a standalone novel, a one-off effort by Robert Silverberg in a genre quite foreign to him, and AFAIK, he’s never contemplated a sequel to it.

Excerpts...
    “We are a free city!” I cried.  “Are we to surrender?”
    “There are wells to dig and canals to dredge,” said Ali-ellati.  “Let us pay what Agga demands, and go about our business in peace.  War is very expensive.”
    “And Kish is very mighty,” said Enlil-ennam.
    “I call for your pledges,” I said.  “I will defy Agga: give me your support.”
    “Peace,” they said.  “Tribute,” they said.  “There are wells to dig,” they said.  (loc. 1994)

   I sat upon my high throne, thinking, Enkidu has died and shuffles about now within that place of dust, cloaked like a bird in gloomy feathers, making his evening meal out of cold clay.  And soon enough I must go to that dark place too.  One day a king in a grand palace, the next a mournful creature flapping his wings in the dust – was that the fate that awaited me? (…)
    Flies, flies, buzzing flies: we are nothing more than that, I told myself.  What sense in being a king?  King of the flies?  (loc. 3700)

Kindle Details...
    Gilgamesh The King sells for $7.99 at Amazon.  Robert Silverberg has been a prolific writer of science-fiction since the 1950’s, and there are a slew of his novels available for the Kindle, ranging in price from $5.99 to $13.19. There are also a number of his short stories and novellas available for a lesser price.  If you are patient, though, a number of his works are periodically discounted at Amazon, which is how I snagged this book.

 (T)here are times when it is perilous to think.  (loc. 1811)
    I had some difficulties with Gilgamesh The King.  There were some significant slow spots, particularly in the early going, when Gilgamesh is telling us how wonderful he is at everything.  As a protagonist, I found him to be a royal a$$hole, but I was pleasantly surprised when I discovered the good citizens of Uruk felt likewise.

    Also, as a storyteller, Gilgamesh leaves a lot to be desired.  Spoilers abound, and he tends to “telegraph” the plot twists that are coming down the pike.  I can’t help but wonder if it would’ve been better to tell the tale in the 3rd-person POV.  Then again, I also wonder if I would’ve appreciated the story more if I had read (a translation of) the Akkadian version, or at least the Wikipedia article first.

    But patience is a virtue, and things pick up around 50%, when Enkidu and Gilgamesh become buddies and set out upon their quest.  And the myth-busting portions of the second half of the book will give you pause when any theology wants you to practice “blind faith”.

    6 Stars.  Add 2 stars if you’ve read Herman Hesse’s Siddhartha, and loved it.  You’ll find Gilgamesh The King to be a fascinating book.  For the record, I found Siddhartha to be boring from beginning to end.