2008; 400 pages. Book 4 (out
of 6) in the Old
Man’s War series. New Author?
: No. Genre : Science Fiction; Military
Sci-Fi. Overall Rating : 6½*/10.
Zoe
Boutin-Perry is a lucky girl. The Chosen
One.
She’s
the adopted daughter of Major John Perry and Lieutenant Jane Sagan, the husband/wife team of colony leaders on Huckleberry, a colony on a faraway planet. But she’s also the biological daughter of the
late Charles Boutin, who gave the alien race called the Obin that which we call
“consciousness”. The Obin revere her because
of this “gift” from her dad and have sworn to defend and protect her no matter what.
By
treaty, the Obin have been permitted to assign two of their kind as bodyguards to
Zoe, with the provision that the pair are also allowed to monitor and record
Zoe’s feelings as she grows up. The
Obin may have consciousness now, but they sorely lack any emotions. They are eager to learn how to “feel” human.
All
of this makes Zoe an important player in galactic politics. Certain alien empires, by taking her hostage, could gain important
leverage in the galaxy; and killing her might have some military advantages. But there's a cost, at least in Zoe's mind. The
presence of two hulking, powerful alien bodyguards makes finding and keeping a
boyfriend a daunting task. No one wants
to be killed because his kiss was erroneously interpreted as a hostile act. So it’s not surprising that Zoe has a secret
desire.
To
just be a normal teenager. With normal
friends, with no one trying to kidnap or kill her, and with a normal
boyfriend.
Good luck with that, Zoe.
What’s To Like...
Zoe’s Tale is the companion to the previous book
in the series, The Last Colony (reviewed
here). It takes place at the same
time, and in the same setting, but is told from the viewpoint of Zoe, the
daughter of the two protagonists. John
Scalzi divides it into three parts, namely:
Part 1: (pgs. 1-128) : The
resettlement move from Huckleberry to Roanoke.
Part 2: (pgs. 129-280) : The
first year on Roanoke. Life without electronics.
Part 3: (pgs. 281-400) : Zoe’s
diplomatic mission.
Most
of what I liked in this book is a repeat of the good things about The Last Colony. There are crazy-kewl critters, well-developed
characters, and a blurring of the difference between a good guy/creature and a
bad guy/creature. The “how can we live without our electronics?”
theme is once again deftly and lightheartedly explored, and this time it’s
supplemented by Zoe’s personal struggle to come to grips with “why can’t I just be allowed to live a
normal life?” motif.
As in any John Scalzi novel, there is an abundance of wit, perhaps even a bit more here
since we’re following a bunch of sassy teenagers and their interactions. There’s also some a couple of romances
to follow, and Enzo’s love poem “Belong” (pg
298) is a powerful bit of prose. It’s fun
to watch Hickory and Dickory, the two Obin bodyguards who are also assigned to learn all about human
emotions. They struggle with the complexities of romance, since they’re hermaphroditic.
Cusswords
are both rare and mild, and mostly spoken by Zoe.
It’s nothing you wouldn’t hear in any normal YA conversation. I liked the role the Colonial Mennonites
play, and laughed at the term “Roanokapella”.
The book is written entirely in the 1st-person POV (Zoe’s),
and the chapters are reasonably short: 25 of them (plus a prologue) to cover
400 pages. The author’s
“Acknowledgements” section (pgs. 401-406)
is worthwhile reading.
The
ending was a mixed bag for me. I found the
Action parts a bit too conveniently contrived, but OTOH the titular “Zoe’s Tale” resolution was great. This is both a standalone novel and part of a
completed, 6-book series.
Kewlest New Word …
Proscribed (past
participle) : forbidden; condemned; denounced.
Excerpts...
“At least I’d get
to see you every once in a while.”
I didn’t have a
good answer to that. So I just gave Enzo
a kiss.
“Look, I’m not
trying to make you feel bad or guilty or whatever,” Enzo said, when I was
done. “But I would like to see more of
you.”
“That statement
can be interpreted in many ways,” I said.
“Let’s start with
the innocent ones,” Enzo said. “But we
can go from there if you want.” (pg.
198)
This General Gau
was in his way a remarkable person. He
wasn’t like one of those tin-pot dictators who got lucky, seized a country and
gave themselves the title of Grand High Poobah or whatever. He had been an actual general for a people
called the Vrenn, and had won some important battles for them when he decided
that it was wasteful to fight over resources that more than one race could
easily and productively share: when he started campaigning with this idea he
was thrown into jail. No one like a
troublemaker. (pg.
273)
“He writes me poems. I
document his physical ineptitude. That’s
how the relationship works.” (pg.
121)
The big
issue I had with Zoe’s Tale, and one that
can’t be circumvented is: If the reader has read The
Last Colony (and I have), then there really are no twists,
surprises, and/or tension in the storyline.
You’ve read it all before.
I
like that the author takes the time to address the storytelling omissions from
the previous book (which he recounts in the Acknowledgements), but perhaps it
would’ve been more effective to just issue a new version of The Last
Colony. Yes, as John Scalzi points out,
that would mean lengthening the book.
But the critter-danger episode is hastily resolved here, and Zoe’s
diplomatic efforts, part 3 in this book, would only add about 120 powerful
pages to the story.
So
the 320-pages of The Last Colony would
now become, say, a 460-page tome. That’s
not much longer than Zoe’s Tale,
which is 400 pages long. It would also
negate the other issue I had with Zoe’s
Tale: there just isn’t much action in it.
6½ Stars. If you’ve read the first three books in this
series, you can skip Zoe’s Tale without
missing anything vital to the overall plotline.
If you’ve read only the first two books, then you can choose either The Last Colony or this book for the next part of
the saga. You can even read all
four books, as I did, and be adequately entertained despite encountering nothing new. John Scalzi's writing skills apparently are sufficient for telling the same story twice.
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